It's sick, it's bizarre and it will disgust many, but apart from the bizarre album title and booklet New York City's Copremesis is actually a very interesting experience. The band's blend of technical and guttural death metal and goregrind work surprisingly well. The music is played tight and downright brutal. I spot some inspiration from Devourment, Malignancy and Serenadium era Iniquity, but the band also have those super deep vocal belches and occasional grooves that you hear from bands like Last Days Of Humanity and The Day Everything Became Nothing. Everything is wrapped up in the typical sexual perversion and degeneracy of goregrind.

Unlike most other bands playing this type of music Copremesis doesn't go for the use of B-movie samples and that sort of things, and it's actually a good thing as these often can seem irrelevant or annoying. The song-writing is mature, detailed and with lots of breaks, shifts in tempo and varied riffing. Another thing that benefits the music are the vocals which go from guttural growls to goregrind-like gurgles and high pitched shrills. Copremesis prove they are able to create music that is technical, complex and brutal, but still easy to digest. The band finish it all off with a rendition of the Vomit Remnants track "Prodigy of Solitude".

The production is okay, although the vocals tend to be a little too high in the mix, but it's nothing that spoils anything. The sound is thick and meaty, but in a way so it's possible to hear what is going on. Muay Thai Ladyboys is an effort that most likely don't appeal to a whole lot of people, but to fans of technical, brutal and guttural death metal in the vein of Malignancy and Iniquity there's definitely something to find. I didn't expect a whole lot, but Copremesis have left a strong impression with their debut.